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From Chapter 4: Gardiner evidently follows this account, for his version of the story is: "Newcastle strolled towards his coach to solace himself with a pipe. Before he had time to take a whiff, the battle had begun." The incident was made the subject of a picture by Ernest Crofts, A.R.A., which was exhibited at the Royal Academy in 1888. It shows the Duke leaning out of his carriage window, with his pipe in his hand.
From Chapter 6: The practice of selling tobacco in small paper packets was common, and moralists naturally had something to say about the fate of an author's work, when the leaves of his books found their ultimate use as wrappers for the weed. "For as no mortal author," says Addison, "in the ordinary fate and vicissitude of things, knows to what use his works may, some time or other, be applied, a man may often meet with very celebrated names in a paper of tobacco. I have lighted my pipe more than once with the writings of a prelate."
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From Chapter 3: Although tobacco was in such general use it yet had plenty of enemies. It was extravagantly abused and extravagantly praised. Robert Burton, of "Anatomy of Melancholy" fame, like many other writers of his time, was prepared to admit the medicinal value of the herb, though he detested the general habit of smoking. Tobacco was supposed in those days to be "good for" a surprising variety of ailments and diseases; but to explore that little section of popular medicine would be foreign to my purpose. Burton believed in tobacco as medicine; but with regard to habitual smoking he was a worthy follower of King James, the strength of whose language he sought to emulate and exceed when he denounced the common taking of tobacco "by most men, which take it as tinkers do ale"—as "a plague, a mischief, a violent purger of goods, lands, health, hellish, devilish, and damned tobacco, the ruin and overthrow of body and soul." No anti-tobacconist could wish for a more whole-hearted denunciation than that.
From Chapter 7: It has sometimes been said that Swift smoked; but this is a mistake. He had a fancy for taking tobacco in a slightly different way from the fashionable mode of taking snuff. He told Stella that he had left off snuff altogether, and then in the very next sentence remarked that he had "a noble roll of tobacco for grating, very good." And in a later letter to Stella, May 24, 1711, he asked if she still snuffed, and went on to say, in sentences that seem to contradict one another: "I have left it off, and when anybody offers me their box, I take about a tenth part of what I used to do, then just smell to it, and privately fling the rest away. I keep to my tobacco still, as you say; but even much less of that than formerly, only mornings and evenings, and very seldom in the day." One might infer from this that he smoked, but this Swift never did. His practice was to snuff up cut and dried tobacco, which was sometimes just coloured with Spanish snuff. This he did all his life, but as the mixture he took was not technically snuff, he never owned that he took snuff. Another cleric of the period, well known to fame, who took snuff but also loved his pipe, was Samuel Wesley, rector of Epworth, Lincolnshire, from 1697 to 1735. He not only smoked his pipe, but sang its praises: In these raw mornings, when I'm freezing ripe, What can compare with a tobacco-pipe? Primed, cocked and toucht, 'twould better heat a man Than ten Bath Faggots or Scotch warming-pan. Samuel's greater son, John Wesley, did not share the parental love of a pipe. He spoke of the use of tobacco as "an uncleanly and unwholesome self-indulgence," and described snuffing as "a silly, nasty, dirty custom."
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Tobacco History:
Cigarettes and Literature
From Chapter 2: It may be noted, by the way, that the gallant had no hesitation about smoking in the presence of ladies. Gostanzo, in Chapman's "All Fools," 1605, says: And for discourse in my fair mistress's presence I did not, as you barren gallants do, Fill my discourses up drinking tobacco. And in Ben Jonson's "Every Man out of his Humour," 1600, Fastidious Brisk, "a neat, spruce, affecting courtier," smokes while he talks to his mistress. A feather-headed gallant, when in the presence of ladies, often found himself, like others of his tribe of later date, gravelled for lack of matter for conversation, and the puffing of tobacco-smoke helped to occupy the pauses. When our gallant went to the theatre he loved to occupy one of the stools at the side of the stage. There he could sit and smoke and embarrass the actors with his audible criticisms of play and players.
From Chapter 5: When plague was abroad even children were compelled to smoke. At the time of the dreadful visitation of 1665 all the boys at Eton were obliged to smoke in school every morning. One of these juvenile smokers, a certain Tom Rogers, years afterwards declared to Hearne, the Oxford antiquary, that he never was whipped so much in his life as he was one morning for not smoking. Times have changed at Eton since this anti-tobacconist martyr received his whipping. It is sometimes stated that at this time smoking was generally practised in schools, and that at a stated hour each morning lessons were laid aside, and masters and scholars alike produced their pipes and proceeded to smoke tobacco. But I know of no authority for this wider statement; it seems to have grown out of Hearne's record of the practice at Eton.
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